December 19, 2006
Money to burn
Passing through London this week, I found the atmosphere to be even more crazed and febrile than is normal even at this time of year. I think I know why: City of London staff (ie the financial hub part of London) have been promised a record £21 billion in bonuses. Some of the biggest deal-makers expect to receive more than £10 million. Each. All told, 4,200 people, just in London, will each receive a bonus of more than one million pounds ($1.9m, 1.5m euros). Now if you're one of this lucky (but of course deserving) group of people, you might want to check out the the unsettling presentation by Margrit Kennedy at Doors 8. Read that (the file loads slowly but is worth the wait) and you may well conclude that the worst thing to do now would be to hang onto your dosh. If you don't buy Kennedy's argument (she is, after all, an urbanist, not an economist) then read the alarming because matter-of-fact warnings of your fellow deal-makers and economists. (I was especially charmed by this quote from one trader on the irrelevance of reality: "I don't care about the numbers, the economic data, whether Iraq is in a Civil war, if the President gets impeached, who controls congress, what a company does, whether we fall into a recession or if China buys Europe and turns it into a Disney theme park. My world is defined by what I see on my four 20 inch monitors in front of me. Everything else is noise"). I know, there are too many killjoys and negative thinkers in the world, which is a warm and wonderful place. But it's Christmas, so at least consider the following: If all you lucky 4,200 people were to donate your bonuses to HIV/AIDS-prevention programmes, more than 28 million lives would be saved within six years. It would be win:win. You'd feel good about yourself - and you wouldn't have to worry about losing the money in the coming crash.
August 25, 2006
Cough, splutter, choke.....
Every time I open my computer these days another monstrosity makes me choke on my cocopops. On Monday it was reading the loony-tunes head of Saatchi and Saatchi talk about "war as a brand" (see below). Today I started to read Wally Olins - another eminence of design and communications universe - reply to the question, "Where would you say is branding going?" on a website called Design and Emotion. Wally replies that "charity....is the ultimate brand. Just because the brand has got no functional content at all. It only exists emotionally. And I think that is a very interesting phenomenon that is going to happen. Because as people get richer, and I am talking about in the West, then there will come a time where you have several houses, or several cars, etc. How many more things can you have? So people will begin to get their satisfaction increasingly from emotion, self-image if you like, of being nice, of being good, of behaving properly". Now Wally is a great man - after all, he helped me publish my first book - but really: I won't make it through many more breakfasts if barmy brand boosters keep saying stuff like this.
August 05, 2006
Send in the Canadians
Ivorybill's Iraq Journal, a great piece of writing from Kurdistan in Daily Kos, includes this sublime conversation with Ahmed, one of the cab drivers who drove him from Turkey to Kurdish Iraq. "Ahmed's contact with people outside of Iraq has mostly been with the foreign telecom engineers who erected the (mobile phone) system. The first was a Canadian with a long beard and lots of tattoos. He had a "wolf" at home, possibly a husky, and used to call his wife and ask her to put the dog on the phone. The two would howl at each other. Kurds, like most Muslims, consider dogs unclean. Although they accept them as necessary for protecting sheep, they never keep them as pets. Ahmed could hear the howls over the receiver and considered this behavior incomprehensible". I can't imagine why: From my own experience meeting Telco types, it seems par for the course.
July 24, 2006
Not quite so new
It's twenty years since Stuart Jane and I made this book for Thames and Hudson. One of the bright young things whose work we put in a book for the first time was James Dyson. By 1986, his patented G-Force vacuum cleaner was being produced in Japan but was not selling well. That early version was tall and garishly pink - great for publicity photos, but less so for high street sales. Daniel Weil, who designed the deconstructivist radio we used on the cover, was a constant headache for his tutors at the Royal College of Art. (He is now a partner at Pentagram). We also featured a young designer called Ron Arad; he was turning the seats of old Rover cars into collectible chairs. Perhaps the first person to varnish concrete, Arad sold his heavy and often lethally pointed furniture from a shop called One Off in Covent Garden. An architect called Nigel Coates, a young star at the insanely trendy Architectural Association, had already incorporated an aircraft wing into a Tokyo night club. We also met an angelic-looking guy called Tom Dixon who made chairs out of salvaged plumbing parts and drove around London in a Mark 10 Jag. The understated genius of that generation was a quiet young man called Jasper Morrison; the technical quality of his work shone through even then. But my most startling memory by far from that project was when Stuart told me to check out the graduating catwalk show of a St Martin's fashion designer. John Galliano's coup de theatre remains one of the most extraordinary performances I have experienced; those few minutes with will never leave me.
July 20, 2006
Why Englishmen do it with their socks on
Did you know this? "In the old days, women exposed their adulterous husbands by marking their left and right socks". I never heard this before. But this makes me a minority among Englishmen, I now realise, because they (we) have been ridiculed for decades for making love with our socks on. (Thanks to Lucas Verweij for this extraordinary information; he wrote about it in the Spanish magazine Experimenta, issue 55).
April 29, 2006
To my friends at Microsoft
Someone programmed Word to flash this pop-up at me Everyâ€¦. Singleâ€¦. Timeâ€¦. that I press â€œSaveâ€ whilst typing. â€œYou have 22 days remaining until the Microsoft Office Test Drive expires. To order your copy of Office 2004, click Buy Nowâ€. This happens every 30 seconds or so. Now whether or not I have a license (I do, I think, back at the office) why interrupt me every thirty seconds? Why not every seven days? And maybe every hour or so on the last day? The result of this design act is that, also every thirty seconds, I think unworthy thoughts about the person who did this to me, and about the company that made him or her do it. Some of these thoughts entail painful and probably illegal acts. So tell me this: Is that successful marketing?
August 08, 2005
During my visit to the MIT campus a few weeks ago Doug Sery, my editor at MIT Press, pointed out two large and expensive-looking buildings that were being constructed to house neuroscientists. A generation ago, the glamour building on the block was MediaLab - so we should probably ask: What do these neuro guys do all day? Why are they so well-funded? What does their work portend for the rest of us in the medium term? A blog entry is too small to do justice to these questions, but I can tell you that the MIT Press catalogue contains lots of neuro books. There are scary titles like Transcranial Magnetic Stimulation (TMS: remember that acronym) which tells you how to ‘reverse engineer the brain’ in order to understand the ‘neourochronometrics of mind’. The latter, so far as I can judge from the blurb, concerns how scientists correlate activity patterns in the brain with behaviour in the world. Another book called Theoretical Neuroscience describes ‘what nervous systems do’ - which, in my case, is get nervous. A book called Social Neuroscience promises – for me, implausibly – that psychiatrists, neurologists and radiologists will enlighten me about ‘the ways human beings are influenced by other humans’. Visual designers and direct marketing hard men will want to read The First Half Second which is about the early stages of visual perception, or microgenesis. But the book I most want to read is called Neither Brain Nor Ghost. Its writer, a philosopher called W Teed Rockwell, argues that the brain cannot be isolated from the rest of the nervous system; moreover, ‘there is evidence that the mind is hormonal as well as neural…the borders of mental embodiment cannot be neatly drawn at the skull, or even at the skin’. It's remarkable how much common ground there is these days between neuroscientists, environmentalists, and philosophers.
July 23, 2005
How can this many design events succeed?
I frequently warn of the dangers that lie ahead for the organisers of design conferences, trade fairs, festivals and biennials. A growing number of me-too events is competing for our attention, and there's a real danger we'll all switch off. Since I last wrote about the subject a month ago, plans have been announced for a large event in Denmark called Index which pronounces itself to be 'the world arena for future design and innovation'. Unfortunately for Index, another ambitious biennial starting at about the same time in Gwangju, Korea, has similar global ambitions. And the theme for a full-blown world expo in Shanghai in 2010 promises 'better design, better life'. In Europe alone, biennial type design projects are happening or being planned for Lille, Brussels, Glasgow, Liege, Newcastle, London, Lucerne, Berlin, and St Etienne. It feels to me as if we need the equivalent for design events of the Bureau of International Expositions that in 1933 brought order to the unsustainable proliferation of World's Fairs. Pending that, one strategy is to go for rarity: the Critical Computing Conference in Aarhus, Denmark, only happens every ten years - a stately tempo that should ensure a more thoughful, long-term discussion than is usual in this febrile industry. Another success factor is to 'keep it live'. When choosing where to go, I far prefer events, encounters and conversations that are rooted in a particular place and time. These are always fresher and more dynamic than pre-cooked exhibitions and ponderous award ceremonies.
June 10, 2005
Too many events?
I learned recently that a new book is published every 30 seconds. I imagine at least that many new blogs are launched each day. Does the same rate of reproduction apply to conferences and events? I used to keep my own list of events until I discovered a bunch of databases each of which contains thousands. The European Union's Information Society department publishes IST Events covering a huge range of possibly interesting subjects. The Digital Media Events Blog features almost daily business happenings in the digital media-online and wireless sector.Upcoming.org, a collaborative event calendar, features happenings on everything from blogs and books to singers and smokers. The privately compiled Ubicomp Events lists dozens of conferences to do with ubiquitous computing. The biggest collection or all - and home of the event-as-acronym - is hosted by the American Computing Society. Listed for just the first ten days in June are ICAIL05, JCDL05, CEMVRC05, FOMI05, and the no doubt not-to-be-missed TARK X-05. If TARK is too taxing, there's a conference on podcasting in Ontario, California, in November. In the old-style design world, festivals and biennials are breeding even faster. As their number grows, claims made for their uniqueness become ever more outlandish. The London Design Festival - billed last year as "the greatest creative show on earth" - was much derided at the time but will happen again this year. It seems to have absorbed the also portentously titled, and also underwhelming, World Creative Forum. A design biennial is planned for 2007 in Newcastle, and another up the road in Scotland. Denmark is ploughing a ton of money this year into an enterprise thrillingly titled Index which is also billed as a "summit for the worldâ€™s creative leaders" whose number apparently includes His Royal Highness Prince Frederik the Crown Prince of Denmark. There are hundreds more events out there - but is it a problem? Probably not, on balance, if the cities that commission these events find ways to make their events original, fresh, engaging and place-specific.