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<title>Doors of Perception weblog</title>
<link rel="alternate" type="text/html" href="http://www.doorsofperception.com/" />
<modified>2010-03-14T08:37:14Z</modified>
<tagline>Reflections on design and the green economy by John Thackara</tagline>
<id>tag:www.doorsofperception.com,2010://1</id>
<generator url="http://www.movabletype.org/" version="3.2">Movable Type</generator>
<copyright>Copyright (c) 2010, Kristi</copyright>
<entry>
<title>One&apos;s week in The Netherlands</title>
<link rel="alternate" type="text/html" href="http://www.doorsofperception.com/archives/2010/03/events_this_wee.php" />
<modified>2010-03-14T08:37:14Z</modified>
<issued>2010-03-14T08:13:25Z</issued>
<id>tag:www.doorsofperception.com,2010://1.4489</id>
<created>2010-03-14T08:13:25Z</created>
<summary type="text/plain">From Wednesday to Friday I will be talking about Plan B (the Dutch version of my book In The Bubble) at the following events. If you are nearby, and have a couple of hours to spare, it would be great...</summary>
<author>
<name>Kristi</name>

<email>brabantia@gmail.com</email>
</author>

<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://www.doorsofperception.com/">
<![CDATA[<p>From Wednesday to Friday I will be talking about <a href="http://www.sunarchitecture.nl/catalogue/categori/sun-statements/plan_b_9789085067870.html">Plan B</a> (the Dutch version of my book In The Bubble) at the following events. If you are nearby, and have a couple of hours to spare, it would be great to see you at one of them:</p>

<p>Wednesday 17 March Eindhoven <br />
Marcus Fairs and John Thackara talk/debate<br />
<a href="http://www.designacademy.nl/indexen.htm">Design Academy Eindhoven</a>, White Lady Building, 17:00 - 19:00h</p>

<p>Thursday 18 March Rotterdam<br />
<a href="http://en.nai.nl/content/657757/in_the_bubble__designing_in_a_complex_world<br />
">Netherlands Architecture Institute (NAi)</a> 20:00 - 22:00h</p>

<p>Friday 19 March Amsterdam<br />
debalie: <a href="http://www.electrosmogfestival.net/program/<br />
">Electrosmog Festival of Sustainable Immobility (NAi)</a> 13:00-15:00h<br />
deBalie: Book presentation 16:00h</p>]]>

</content>
</entry>
<entry>
<title>Polish Art in Beirut</title>
<link rel="alternate" type="text/html" href="http://www.doorsofperception.com/archives/2010/03/polish_art_in_b.php" />
<modified>2010-03-04T08:31:57Z</modified>
<issued>2010-03-04T08:05:22Z</issued>
<id>tag:www.doorsofperception.com,2010://1.4488</id>
<created>2010-03-04T08:05:22Z</created>
<summary type="text/plain"> An underground exhibition of Polish art in Beirut looks like a specialised event, even for me - only it features the work of the Polish photographer Nicolas Grospierre which makes it definitely worth a visit. Grospierre&apos;s modified architectural photographs...</summary>
<author>
<name>Kristi</name>

<email>brabantia@gmail.com</email>
</author>
<dc:subject>art &amp; perception</dc:subject>
<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://www.doorsofperception.com/">
<![CDATA[<p><img alt="nicolas_grospierre_zory_2007_fotomontaggio_400.jpg" src="http://www.doorsofperception.com/archives/nicolas_grospierre_zory_2007_fotomontaggio_400.jpg" width="400" height="278" /></p>

<p>An underground exhibition of Polish art in Beirut looks like a specialised event, even for me - only it features the work of the Polish photographer <a href="http://www.grospierre.art.pl/page.html">Nicolas Grospierre</a> which makes it definitely worth a visit. Grospierre's modified architectural photographs were a highlight for me of the last Venice Architecture Biennale: a persuasive portrayal of <a href="http://www.doorsofperception.com/archives/2008/09/beyond_the_buil.php">what today's urban contexts could well look like in the near future.</a></p>

<p>But Grospierre does not just do Bladerunner-ish images. He also shoots amazing structures at the edges of Eastern Europe. These range from bus-stops in Estonia...</p>

<p><img alt="01-02-s.jpg" src="http://www.doorsofperception.com/archives/01-02-s.jpg" width="420" height="420" /></p>

<p>to this...</p>

<p><img alt="291542174_2fzJy-S.jpg" src="http://www.doorsofperception.com/archives/291542174_2fzJy-S.jpg" width="300" height="300" /></p>

<p>I don't know how many of our readers live in Beirut, know someone in Beirut, or are going there soon - but for all the above, please note that the show ends on 16 March:   </p>

<p>'Fitting In Space: Contemporary Polish Art' is being presented in Zico House and 98 Weeks Research Project Space: Naher Street, (Jisr el Hadid) Chalhoub Building, n 22 - Ground Floor, Beirut.</p>]]>

</content>
</entry>
<entry>
<title>Balanced budgets?</title>
<link rel="alternate" type="text/html" href="http://www.doorsofperception.com/archives/2010/03/culture_cuts.php" />
<modified>2010-03-02T07:29:07Z</modified>
<issued>2010-03-01T08:09:33Z</issued>
<id>tag:www.doorsofperception.com,2010://1.4486</id>
<created>2010-03-01T08:09:33Z</created>
<summary type="text/plain"> A few weeks back I was talking to Kjetil Trædal Thorsen, a partner in the Norwegian architectural firm Snøhetta, when we were drowned out by the roar of a Eurofighter passing overhead. &quot;One of those costs the same as...</summary>
<author>
<name>Kristi</name>

<email>brabantia@gmail.com</email>
</author>

<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://www.doorsofperception.com/">
<![CDATA[<p><img alt="eurofighter-mit-gbu-161.jpg" src="http://www.doorsofperception.com/archives/eurofighter-mit-gbu-161.jpg" width="321" height="242" /></p>

<p>A few weeks back I was talking to Kjetil Trædal Thorsen, a partner in the Norwegian architectural firm Snøhetta, when we were drowned out by the roar of a Eurofighter passing overhead. "One of those costs the same as a medium-sized opera house", Kjetl observed drily.</p>

<p>Kjetl should know: he designed this medium-sized opera house in Oslo:</p>

<p><br />
<img alt="OsloOperaHouseNorway-ErikBerg.jpg" src="http://www.doorsofperception.com/archives/OsloOperaHouseNorway-ErikBerg.jpg" width="420" height="222" /></p>

<p>Kjetl's throwaway comment prompted me to start looking for numbers comparing military versus cultural spending on a country-by-country basis. </p>

<p>Several hours later, I am suspending this project. I cannot find a neat comparison league table - and the numbers I *have* found look so insane that I repeat them here in the hope that someone will reassure me that I am not imagining things.</p>

<p>For example, an article in Counterpunch called <a href="http://www.counterpunch.org/landau02262010.html"> Gargantua's Mouth: The Pentagon and the Suckers</a> states that "44 cents of every taxpayer's dollar feeds the military budget - at a time when no nation has a military capable of challenging us." Saul Landau and Nelson P Valdes write that "since 1988, as the Soviet Union neared collapse, and no major power  threatened, the military has ingested some $5.1 trillion. Every two years since 2001, the military budget has grown by approximately $100 billion".  </p>

<p>OK, so Counterpunch is a radical magazine and they would say that. Looking for more impartial data, I found a <a href="http://www.aviationweek.com/aw/blogs/defense/index.jsp?plckController=Blog&plckBlogPage=BlogViewPost&newspaperUserId=27ec4a53-dcc8-42d0-bd3a-01329aef79a7&plckPostId=Blog%3a27ec4a53-dcc8-42d0-bd3a-01329aef79a7Post%3a9be69494-f142-4438-857c-7fb4e3fb4af8&plckScript=blogScript&plckElementId=blogDest"> chart in Aviation Week</a>, which is almost a trade magazine of the military industrial complex, that included these numbers for per capita military spending: <br />
	U.S.: $545.3 billion, that's roughly $45,500 per head of the population. <br />
	U.K.: $63.2 billion, or $34,800 per head. <br />
	France: $60.3 billion, or $32,100 per head. <br />
	Germany: $41.8 billion, or $33,800 per head. </p>

<p>Then I found <a href="http://www.oclc.org/reports/escan/economic/educationlibraryspending.htm"> a study</a> that concludes that the United States spent $1,780 per head on education in 2001 (France, The Netherlands and Canada each spent more than $1,200 per capita). Hmmm.</p>

<p>Turning to culture and the arts, the best I could find is a <a href="http://www.culturalpolicies.net/web/belgium.php?aid=62">perplexing web database</a> that appears to show that cultural expenditure per capita in Spain is euro 135, compared to Germany which, in 2007, spent 99 euros per capita. </p>

<p>In round numbers, then, Germany appears to spend 25,000 euros per person on defence, versus about 100 euros per head on culture. I have to assume that the gap in the US and UK, were the numbers to be available, would be a good deal wider. </p>

<p>As I said: insane numbers. </p>

<p>I distract you (and myself) with these numbers mainly because, in the years ahead, spending on the things that we do care about - education, culture, sustainability - looks certain to plummet. </p>

<p>In the UK, for example, commentators are talking gravely about public spending cuts of 10, 15, or 20 percent. Insiders tell me that cuts will be 40 percent or more, in real terms, over the coming few years.<br />
Large cultural and educational institutions will suck in what little public funding is available. Government funding for small, grassroots activities will dry up almost completely.</p>

<p>Time to despair? Not necessarily. The future, for me, belongs to ultra-light culture and education. I'll write about light education at a later date - but for now, here are two cultural green shoots.  </p>

<p>Located in the centre of Beijing on one of its old hutong alleyways, <a href="http://www.iwishicoulddescribeittoyoubetter.net/us/ho/homeshop_v10a.html"> HomeShop</a> [below] is a 25sqm store space turned sleeping-working-living studio. </p>

<p><img alt="HomeShop_afternoonfront1.jpg" src="http://www.doorsofperception.com/archives/HomeShop_afternoonfront1.jpg" width="321" height="214" /></p>

<p>HomeShop is "an open platform, working diversely via the realms of art, theory, community practice and urban research to explore the possibilities of the microaesthetic and the micropolitical". HomeShop "begins within a shrinking neighbourhood of steadfast Beijingers and reexamines that which is embedded within the everyday: emerging communities, daily routes, minor practices and the spectacular banal. All pass by our window front, and it is right here that we can begin to engage the certain potentialities in our very midst".</p>

<p>HomeShop reminds me of Galerie Zero in Berlin, which, at 20 square metres, is physically even smaller </p>

<p><img alt="_4601.jpg" src="http://www.doorsofperception.com/archives/_4601.jpg" width="243" height="225" /></p>

<p>But Galerie Zero's cultural footprint is hundreds of times larger. Galerie Zero has produced 100 pioneering art shows, installations and events in the Kreusberg area of Berlin over a six year period. </p>

<p>Each of these 100 events cost less to produce than the price of a single door in an "iconic" art museum. For the price of one eurofighter, I'm sure Galerie Zero, or HomeShop, could stage 25,000 events. And it's not just about quantity of output: their activities, being created in and by a community, have a quality that big ticket items can never equal. They are the future.</p>]]>

</content>
</entry>
<entry>
<title>Electrosmog Festival </title>
<link rel="alternate" type="text/html" href="http://www.doorsofperception.com/archives/2010/02/electrosmog_fes.php" />
<modified>2010-02-18T08:00:57Z</modified>
<issued>2010-02-18T07:51:04Z</issued>
<id>tag:www.doorsofperception.com,2010://1.4485</id>
<created>2010-02-18T07:51:04Z</created>
<summary type="text/plain"> Preparations for the ElectroSmog International Festival for Sustainable Immobility are gathering pace. An Electrosmog blog has been launched, and Doors of Perception has agreed to co-host a session on Friday 19 at deBalie, in the afternoon. Our focus will...</summary>
<author>
<name>Kristi</name>

<email>brabantia@gmail.com</email>
</author>

<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://www.doorsofperception.com/">
<![CDATA[<p><img alt="RushHourinScotland-300x203.jpg" src="http://www.doorsofperception.com/archives/RushHourinScotland-300x203.jpg" width="300" height="203" /></p>

<p>Preparations for the <a href="http://www.debalie.nl/artikel.jsp?articleid=332276&podiumid=media"> ElectroSmog International Festival for Sustainable Immobility</a> are gathering pace. An <a href="http://www.electrosmogfestival.net/category/news/"> Electrosmog blog</a> has been launched, and Doors of Perception has agreed to co-host a session on Friday 19 at deBalie, in the afternoon. Our focus will be on the practical design steps to be taken now. ICT developers have been working on videocommunication since 1946 - but the experience still sucks. If massive amounts of bandwidth are not the answer, are there more artful ways to enhance remote communication?  We're hoping to discuss promising approaches with a game designer, a theatre director/designer, and an artist and/or poet/writer. </p>]]>

</content>
</entry>
<entry>
<title>For sustainability champions: my book is now in Dutch, French, Italian, Portuguese and Polish.</title>
<link rel="alternate" type="text/html" href="http://www.doorsofperception.com/archives/2010/02/post_35.php" />
<modified>2010-02-19T16:10:37Z</modified>
<issued>2010-02-16T08:07:17Z</issued>
<id>tag:www.doorsofperception.com,2010://1.4336</id>
<created>2010-02-16T08:07:17Z</created>
<summary type="text/plain"> Rule one in book publishing (where I worked for ten years) is: promote your own book, because nobody else will do so with as much energy and commitment. So, sorry to be brash, but please note the following: Today...</summary>
<author>
<name>John Thackara</name>
<url>www.doorsofperception.com</url>
<email>john@doorsofperception.com</email>
</author>
<dc:subject>books by john thackara</dc:subject>
<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://www.doorsofperception.com/">
<![CDATA[<p><img alt="4a701ae59f65f4.84703029.png" src="http://www.doorsofperception.com/archives/4a701ae59f65f4.84703029.png" width="189" height="278" /></p>

<p>Rule one in book publishing (where I worked for ten years) is: promote your own book, because nobody else will do so with as much energy and commitment. So, sorry to be brash, but please note the following:</p>

<p>Today I received printed copies from its publisher, SUN, of <a href="http://www.sunarchitecture.nl/catalogue/categori/sun-statements/plan_b_9789085067870.html">Plan B</a> - the Dutch version of my book <a href="http://www.thackara.com/inthebubble/">In The Bubble; </a> (the latter was published by MIT Press in 2005).</p>

<p>For the Dutch and all the other language versions mentioned here, I reduced the original text to 45,000 words - but also added five new chapters. on: Sustainability; Metrics; Food; Development; and Telepresence.</p>

<p>Here are three ways you can help Plan B reach sustainability champions: <br />
a) send the name and co-ordinates of Dutch-speaking journalists, bloggers and thought-leaders (to whom you think we should send a free review copy) to Marlies Dijkstra; her address is m.dijkstra at uitgeverijsun dot nl<br />
b) go to the SUN website and <a href="http://www.sunarchitecture.nl/catalogue/categori/sun-statements/plan_b_9789085067870.html">order copies</a> for all your Dutch-speaking friends in The Netherlands and around the world. If you are a sustainability champion within your company, university, city, or government department, consider ordering 100 or more  copies for a discount, and send copies to your colleagues;<br />
c) announce on appropriate mailing lists that the book is <a href="http://www.sunarchitecture.nl/catalogue/categori/sun-statements/plan_b_9789085067870.html">available </a></p>

<p>Here again is the <a href="http://www.amazon.fr/Bubble-complexité-Design-durable/dp/2912808138/ref=sr_1_6?ie=UTF8&s=books&qid=1231408841&sr=8-6">French edition</a> translated by Anne Despond-Barre and published by Marc Partouche for Cite du Design Editions.</p>

<p> <img alt="bubble-french-cover-lge.jpg" src="http://www.doorsofperception.com/archives/bubble-french-cover-lge.jpg" width="280" height="350" /></p>

<p><br />
Next is the <a href="http://www.hoepli.it/libro.asp?ib=9788842216544&pc=000011002008000">Italian edition</a> translated by Niels Betori and published by Pier Paolo Peruccio for Allemandi.</p>

<p><img alt="bubble_italian_front.jpg" src="http://www.doorsofperception.com/archives/bubble_italian_front.jpg" width="280" height="400" /></p>

<p><br />
Here, below, is the Portuguese language edition published in Brazil by Marcelo Melo at <a href="http://www.virgilia.com.br/livros/livros-plano-b-menu/">Virgilia </a> and <a href="http://www.saraivauni.com.br/paginaObra.cfm?isbn=978850207695">available from Saraiva.</a> </p>

<p><img alt="bubble-planoB-cover.jpg" src="http://www.doorsofperception.com/archives/bubble-planoB-cover.jpg" width="280" height="360" /></p>

<p></p>

<p><br />
And in May the book will be published in Polish by <a href="http://www.swps.pl/www_academica/index.php/zapowiedzi.html">Wydawnictwo SWPS Academica. </a></p>

<p><img alt="bbl.poland.png" src="http://www.doorsofperception.com/archives/bbl.poland.png" width="250" height="350" /></p>]]>

</content>
</entry>
<entry>
<title>Have I cracked the the telepresence conundrum?</title>
<link rel="alternate" type="text/html" href="http://www.doorsofperception.com/archives/2010/01/cracking_the_te.php" />
<modified>2010-01-22T12:12:09Z</modified>
<issued>2010-01-22T09:35:44Z</issued>
<id>tag:www.doorsofperception.com,2010://1.4483</id>
<created>2010-01-22T09:35:44Z</created>
<summary type="text/plain"> Last evening I particpated remotely from my home in France in a pre-event in Amsterdam of ElectroSmog International Festival for Sustainable Immobility. I didn&apos;t use the fancy gadget in the photo above. My set-up yesterday was a bit, but...</summary>
<author>
<name>John Thackara</name>
<url>www.doorsofperception.com</url>
<email>john@doorsofperception.com</email>
</author>
<dc:subject>infrastructure &amp; design</dc:subject>
<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://www.doorsofperception.com/">
<![CDATA[<p><img alt="girl-in-globe.jpg" src="http://www.doorsofperception.com/archives/girl-in-globe.jpg" width="400" height="286" /></p>

<p>Last evening I particpated remotely from my home in France in a pre-event in Amsterdam of <a href="http://www.debalie.nl/artikel.jsp?articleid=332276&podiumid=media"> ElectroSmog International Festival for Sustainable Immobility.</a> </p>

<p>I didn't use the fancy gadget in the photo above. My set-up yesterday was a bit, but not a lot, better-organized than the remote recording session (below) I did for a BBC radio programme last summer.</p>

<p><img alt="johnradio.jpg" src="http://www.doorsofperception.com/archives/johnradio.jpg" width="400" height="300" /></p>

<p>I said my bit to deBalie via skype, and followed the rest of proceedings, which were chaired by Eric Kluitenberg, on deBalie's livestreaming feed. </p>

<p>The deBalie session was not, I know, a major event in the greater context of events concerning sustainability, media, and design. But I'm proud, nonetheless: I have not yet set foot in an aeroplane in 2010, and this event was a meaningful first step: it followed a new year resolution radically to reduce my work-related travel.</p>

<p>In preparing for yesterday's modest exercise, I was amazed to discover that I have been writing about the substitution of telepresence for mobility for seventeen years. Writing, not doing, I know: By no means all my texts and talks are <a href="http://www.doorsofperception.com/archives/2008/04/the_fakespace_r.php">here</a> and <a href="http://www.doorsofperception.com/archives/2008/03/traveling_witho.php">here</a> and <a href="http://www.doorsofperception.com/archives/2009/03/post_37.php">here</a> and      <a href="http://www.doorsofperception.com/archives/2008/07/call_a_fjell.php">here</a> and             <a href="http://www.doorsofperception.com/archives/2007/05/bluebells_at_be.php">here</a> and <a href="http://www.doorsofperception.com/archives/2007/08/the_movement_di.php">here</a> and <a href="http://www.doorsofperception.com/archives/2007/07/new_concept_of.php">here</a>                       and <a href="http://www.doorsofperception.com/archives/2005/12/seoul_sublime.php">here</a> and <a href="http://www.doorsofperception.com/archives/2006/12/way_to_go.php">here</a> and <a href="http://www.doorsofperception.com/archives/2006/05/sublime_mobilit.php"> here</a> and <a href="http://www.doorsofperception.com/archives/2006/02/from_my_car_to.php">here</a> and <a href="http://www.doorsofperception.com/archives/2005/04/volume_11_numbe.php">here</a>  and <a href="http://www.doorsofperception.com/archives/2005/11/httpwwwv2nl_the.php"> here</a> and <a href="http://www.doorsofperception.com/archives/2009/05/call_from_syste.php">here</a> and <a href="http://www.doorsofperception.com/archives/2006/06/event_design_an.php">here</a> and <a href="http://www.doorsofperception.com/archives/2005/09/beyond_the_cran.php">here.</a> </p>

<p>Although deBalie's streaming video feed was clear (thanks to their industrial-quality cameras;  three-times normal bandwidth; something called an h264 video codec; and Gerbrand); and Eric was a clear and well-organized compere; but the experience was as unrelaxing, experientially, as always. </p>

<p>I spent half-a-day spent fidding with lights and backdrops at my end. I had to miss lunch in order to  test skype. And I had to work hard, during the event itself, to keep track of what was happening in Amsterdam. An abruptly broken connection, internet-side, just as the final Q+A started, was an abrupt but unsurprising conclusion. </p>

<p>Content-wise, the session was a blast from the past - in good ways and bad.</p>

<p>A guy from IBM demo'd a hideous virtual "creative office" populated by avatars. The avatar representing the IBM-er in Belgium failed to speak or move for five minutes; its human owner had apparently left his desk to look for a beer. This was fair enough -a national beer strike in Belgium has only recently ended - but the jerky, implausible look-and-feel of IBM's virtual office was less enticing than the pre-Sims demo given by <a href="http://museum.doorsofperception.com/doors5/content/w_wright.html">Will Wright at Doors of Perception back in 1998.</a></p>

<p>(It wasn't much better, either, than the time I did a video conference with Korea in which twelve corporate persons - not from IBM - sat in a row facing the camera. I was able scan the camera along the line,  jerkily, from my end. But because my fellow videoconferencers were dressed in identical blue suits, white shirt and dark tie; and because most of them seemed to be called Mr Kim; I soon gave up).</p>

<p>(But last night's IBM demo *was* superior to the videoconference between a summer school in Lisbon, and the White House, that I experienced last summer. Then, the link was enabled by Cisco Systems' ultra high-end platform. We were all excited because our interviewee was said to have an office just down the hall from the Oval Office. We all assumed that communicating with the centre of world power on the world's fanciest videoconferencing platform would be fab. But the link, once opened, yielded sound and pictures worse then the ones sent back by the first lunar lander. After ten minutes of torture, someone in Lisbon put their hand up and said" "can't we use skype?" - so we we did).  </p>

<p>But there were delights, last evening, too. Costas Bissas from DistanceLab told us, from a location somewhere in the wilds of Scotland, about <a href="http://www.distancelab.org/projects/neuromantic/">a cow called Grace who has been fitted with a webcam.</a> </p>

<p><img alt="Grace TV.jpg" src="http://www.doorsofperception.com/archives/Grace%20TV.jpg" width="400" height="500" /></p>

<p>It took me back to the time Bill Gaver and Tony Dunne <a href="http://www.hookerandkitchen.com/presence/presence_step04/explanation_pecc.html">attached web-enabled microphones to chickens in Peccioli.</a></p>

<p>I told Costas I would pay good money to see Grace charging a bunch of tourists, but he said that is not their business model.</p>

<p>As last night's discussion continued, I had an epiphany: it is not my job to keep track of all these tele-tools and platforms - still less, to set them up and make them work when I need them. </p>

<p>I thought back to the early years of the telephone: for decades after the telephone was first publicly deployed, one would pick up the receiver - and a room full of operators would make the connection for you.</p>

<p><img alt="telephone-operators.jpg" src="http://www.doorsofperception.com/archives/telephone-operators.jpg" width="400" height="268" /></p>

<p>This is what we need now. We need the equivalent of a roadie for telepresence events. </p>

<p><img alt="Roadie.jpg" src="http://www.doorsofperception.com/archives/Roadie.jpg" width="180" height="267" /></p>

<p>Rock stars don't have to fiddle about setting up amps and lighting and the stage before they perform - so why should I, or any other right thinking citizen who has a life to lead?  </p>

<p>e-Roadies are the solution I have been searching for for seventeen years.  </p>

<p>I haven't worked out where to find them, nor how to train them - still less, a business model to pay for them.  But I am surely on the right track because E-Roadies are a *human* solution.</p>]]>

</content>
</entry>
<entry>
<title>20.  Bubble-glazing</title>
<link rel="alternate" type="text/html" href="http://www.doorsofperception.com/archives/2010/01/20_bubbleglazin.php" />
<modified>2010-01-22T12:12:09Z</modified>
<issued>2010-01-22T06:41:53Z</issued>
<id>tag:www.doorsofperception.com,2010://1.4482</id>
<created>2010-01-22T06:41:53Z</created>
<summary type="text/plain"> Here is a late addition - number 20 - to our story of last week: 19 reasons to be cheerful after Copenhagen. Instructions: cut-to-fit; spray with water; bubbles face inwards. Done. (thx Miranda, for the new word)...</summary>
<author>
<name>Kristi</name>

<email>brabantia@gmail.com</email>
</author>
<dc:subject>transition and resilience</dc:subject>
<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://www.doorsofperception.com/">
<![CDATA[<p><img alt="bubbleglazing.jpg" src="http://www.doorsofperception.com/archives/bubbleglazing.jpg" width="300" height="350" /></p>

<p>Here is a late addition - number 20 - to our story of last week: <a href="http://www.doorsofperception.com/archives/2009/12/14_reasons_to_b.php"> 19 reasons to be cheerful after Copenhagen.</a> <br />
Instructions: cut-to-fit; spray with water; bubbles face inwards. Done. <br />
(thx Miranda, for the new word)</p>]]>

</content>
</entry>
<entry>
<title>Doors of Perception projects portfolio</title>
<link rel="alternate" type="text/html" href="http://www.doorsofperception.com/archives/2010/01/doors_as_histor.php" />
<modified>2010-01-22T12:12:09Z</modified>
<issued>2010-01-18T13:15:45Z</issued>
<id>tag:www.doorsofperception.com,2010://1.4481</id>
<created>2010-01-18T13:15:45Z</created>
<summary type="text/plain"> Bulb-planting has started early at Doors HQ: - We&apos;ve posted summary descriptions of the last ten years&apos; Doors of Perception projects - the idea being that we plan to do more projects like these ones, only better. - All...</summary>
<author>
<name>John Thackara</name>
<url>www.doorsofperception.com</url>
<email>john@doorsofperception.com</email>
</author>

<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://www.doorsofperception.com/">
<![CDATA[<p><img alt="green-shoot-in-rock.png" src="http://www.doorsofperception.com/archives/green-shoot-in-rock.png" width="325" height="259" /></p>

<p>Bulb-planting has started early at Doors HQ:</p>

<p>- We've posted <a href="http://www.doorsofperception.com/archives/doors_of_perception_portfolio/"> summary descriptions of the last ten years' Doors of Perception projects</a> - the idea being that we plan to do more projects like these ones, only better.<br />
- All <a href="http://www.doorsofperception.com/archives/city_eco_lab/"> City Eco Lab</a> posts are now in one stack; [City Eco Lab never had its own website];<br />
- So too are all posts on <a href="http://www.doorsofperception.com/archives/new_economic_metrics/"> new economic metrics;</a> <br />
- We've started a new category on <a href="http://www.doorsofperception.com/archives/transition_and_resilience/"> transition and resilience;</a> here we reflect on our encounters with the Transition movement and the ways it is building resilience in communities around the world;<br />
- News on new and recent <a href="http://www.doorsofperception.com/archives/books_by_john_thackara/"> books by John Thackara</a> are now collected in one place - buy them all now, while books still exist; <br />
- Back issues of our newsletterdating back to 2002, are still there at the <a href="http://www.doorsofperception.com/mailinglist/archives.php"> Doors of Perception Newsletter archive.</a><br />
- and (thanks Nique! thanks Kristi!) ) we've tidied up the navigation buttons on this page.</p>]]>

</content>
</entry>
<entry>
<title>Marketing, me, and the future of tv</title>
<link rel="alternate" type="text/html" href="http://www.doorsofperception.com/archives/2010/01/marketing_me_an.php" />
<modified>2010-01-22T12:12:09Z</modified>
<issued>2010-01-14T09:24:29Z</issued>
<id>tag:www.doorsofperception.com,2010://1.4438</id>
<created>2010-01-14T09:24:29Z</created>
<summary type="text/plain">A marketing whiz I know in New York asked me to do her a favour: answer some questions about the future of tv. At least, that&apos;s what I thought she asked. But when, a couple of days later, a large...</summary>
<author>
<name>John Thackara</name>
<url>www.doorsofperception.com</url>
<email>john@doorsofperception.com</email>
</author>
<dc:subject>infrastructure &amp; design</dc:subject>
<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://www.doorsofperception.com/">
<![CDATA[<p>A marketing whiz I know in New York asked me to do her a favour: answer some questions about the future of tv. </p>

<p>At least, that's what I thought she asked. But when, a couple of days later, a large FedEx package arrived, it contained a tiny digital voice recorder and the instruction: "tell us your views about the future of the television" - ie, the product, not its content.</p>

<p>Although deprived of the opportunity to pontificate about the evils of reality television and Fox News, I nonetheless narrated the following into the little machine and FedExed it (at my friend's insistence) back.</p>

<p>For some reason, I never heard from her again.</p>

<p>[ Transcript below] </p>

<p>"For me, big televisions are like gas-guzzling SUVs: fat, wasteful, and paid for with debt.</p>

<p>These fat objects don’t just waste energy – they’re toxic, too.  The big old ones, the Cathode Ray Tube ones, were bad enough: each one contained as much as four pounds of lead.  </p>

<p>But the new flat ones are also full of heavy metals. When improperly dismantled – which is most of the time – they release dioxins and poison the air and water systems.</p>

<p>Adding insult to injury, the biggest screens aren’t even used for anything useful. Most of them are used for push advertising. </p>

<p>Big public screens don’t just waste energy, contain toxins, and steal pubic space. They enable semiotic pollution, too.</p>

<p>The outdoor ad industry seems to be worried about an imminent backash: I saw one of their lawyers demanding “freedom of commercial speech”. Lucky for him he was on tv or I'd have reached for my pitchfork. </p>

<p>My first advice, Mr TV company, is to fess up now to the material and energy costs of the products you make - before someone else does it for you.</p>

<p>I'd publish detailed numbers about the environmental impact and energy use involved in manufacturing the boxes and network infrastructure, and running the networks. </p>

<p>In fact I'd look at the whole system. I'd publish numbers for transporting people and physical parts to maintain the system numbers for constructing and running all those offices and retail stores; numbers for running call centres. I'd come clean about all of it. The lot. </p>

<p>I'd publish the real numbers and then I’d say: “guess what: we’re not going to innovate the Prius of televisions".  </p>

<p>I'd commit to zero waste, and closed loop processes from cradle to cradle. I'd announce that we would remain the owner of all our products from here on in - people would just lease them.</p>

<p>Being transparent about the facts, and taking full responsibility for the impact of your products on the biosphere, would kill your competitors stone dead. </p>

<p>This would buy you time to transform your business totally. </p>

<p>You and I both know that televisons can never be emission-free as products. So why not get out of hardware altogether?  It's feasible.  IBM make more money out of consulting than of selling machines these days. </p>

<p>My advice is to set your sights on a vast new market, and my ideal future experience: "being there, but not".  </p>

<p>Sustainabiity demands that we all - and me especially - must radically reduce our flights. The biosphere simply cannot support the perpetually growing movement of goods and bodies around the world.</p>

<p>What stops peope like me moving less, and tele-communicating more, is simple: videoconferencing sucks.</p>

<p>But I can't get it our of my head that we pay theme park operators a dollar a minute to experience sophisticated simulations. And the computer games industry is now bigger than Hollywood.</p>

<p>The lesson I learn from them is that if you get the experience right, people will do it. Even me. </p>

<p>Getting the experience right is not a technology issue. It's not about brute bandwidth, or brute screen size. </p>

<p>In fact- and herein lies your salvation as a green business - the experience can best be improved by artful and indirect means using minimal amounts of tech - most of which already exists.</p>

<p>The secret is to think about icons, not about high-tech boxes.</p>

<p>In the Roman Cathollc tradition, icons are aids to devotion. In their business, icons are there to help people feel closer to God. </p>

<p>But why only God? Surely different kinds of icon might help us imagine another person to be close? </p>

<p>I'm not talking gold goblets representing my mother here. (Sorry, Mum). More prosaic objects can do the job. </p>

<p>The philosopher Ludwig Wittgenstein wrote a celebrated essay about "Kissing the picture of one's beloved".  He said: "When we kiss a photograph, we do not expect to conjour up a spectacular manifestation of the person in the picture represents - but the action is nonetheless satisfying". </p>

<p>An icon. A photo. The hardware requirement here is very modest. </p>

<p>A professor called Andy Clarke wrote a book that I commend to you: "Being There: Putting Brain, Body and World Together Again". I learned from Prof Clarke that the biological brain is populated by a vast number of what he calls 'zombie processes' that seem to play a critical role in the ways we experience the world, and each other. </p>

<p>Another writer, the English philosopher, John Gray, puts it more starkly: "Being embodied is our nature as earth-born creatures... but our child-like fascination with technology and digital communication blinds us to this fact". </p>

<p>Bottom line, Mr TV company: get out of hardware, and into embodied communication.</p>

<p>Clear? </p>]]>

</content>
</entry>
<entry>
<title>19 reasons to be cheerful after Copenhagen (+1)</title>
<link rel="alternate" type="text/html" href="http://www.doorsofperception.com/archives/2009/12/14_reasons_to_b.php" />
<modified>2010-01-22T12:12:09Z</modified>
<issued>2009-12-19T11:06:12Z</issued>
<id>tag:www.doorsofperception.com,2009://1.4435</id>
<created>2009-12-19T11:06:12Z</created>
<summary type="text/plain">The outcome of Copenhagen is depressing if you only look at what happened at the official summit, and persist in the belief that those guys are &quot;world leaders&quot;. They are not: they are followers, guardians of a dying regime. So...</summary>
<author>
<name>John Thackara</name>
<url>www.doorsofperception.com</url>
<email>john@doorsofperception.com</email>
</author>
<dc:subject>transition and resilience</dc:subject>
<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://www.doorsofperception.com/">
<![CDATA[<p>The outcome of Copenhagen is depressing if you only look at what happened at the official summit, and persist in the belief that those guys are "world leaders". They are not: they are followers, guardians of a dying regime.  So don't look at them. <a href="http://www.treehugger.com/files/2008/07/th-radio-paul-hawken-1.php?campaign=TH_sbl_radio"> Hundreds of thousand of groups</a> are already busy, in countless ways, preparing their communities for the changes and shocks to come. Elements of an alternative global framework have started to emerge. Several hundred of these groups helped draft a 'People’s Declaration' from Klimaforum09 entitled <a href="http://www.klimaforum09.org/IMG/pdf/A_People_s_Declaration_from_Klimaforum09_-_ultimate_version.pdf"> System change – not climate change.</a> It's a much better read. </p>

<p>Meanwhile, I thought it would be both festive and restorative to share with you the following 19 highlights of our 2009 re-localisation efforts at Doors HQ here in France. </p>

<p>1)    KvR developed a killer grape syrup recipe (= off-grid sugar) </p>

<p><img alt="grape-syrup-a.jpg" src="http://www.doorsofperception.com/archives/grape-syrup-a.jpg" width="400" height="500" /></p>

<p><img alt="grape-syrup.b.jpg" src="http://www.doorsofperception.com/archives/grape-syrup.b.jpg" width="400" height="550" /></p>

<p><br />
2)   Off-grid shoe polish (= keeping up appearances as the consequences of peak oil unfold) </p>

<p><img alt="shoe-polish.jpg" src="http://www.doorsofperception.com/archives/shoe-polish.jpg" width="400" height="333" /></p>

<p><br />
3)   We take delivery of Excalibur ( = yes, the SUV of fruit-drying machines)</p>

<p><img alt="dryingapricots.jpg" src="http://www.doorsofperception.com/archives/dryingapricots.jpg" width="400" height="400" /></p>

<p><br />
4)   Scrubbies for cleaning pots, baths etc ( = upcycled from plastic bags, in part penance for (3))</p>

<p><img alt="scrubby.jpg" src="http://www.doorsofperception.com/archives/scrubby.jpg" width="400" height="333" /></p>

<p><br />
5) Post-peak-oil fire lighters (upcycled from an unpleasant vat of goo; these turn out to be more expensive than supermarket fire lighters so will not be repeated) </p>

<p><img alt="diy-firelighters.jpg" src="http://www.doorsofperception.com/archives/diy-firelighters.jpg" width="400" height="333" /></p>

<p><img alt="firelighetrs-b.jpg" src="http://www.doorsofperception.com/archives/firelighetrs-b.jpg" width="400" height="333" /></p>

<p><br />
6)  Almond milk (= source emits no methane; but not ideal for cappuccinos) </p>

<p><img alt="almond-milk-a.jpg" src="http://www.doorsofperception.com/archives/almond-milk-a.jpg" width="400" height="333" /></p>

<p><img alt="almond-milk-b.jpg" src="http://www.doorsofperception.com/archives/almond-milk-b.jpg" width="400" height="500" /></p>

<p><br />
7)   Facial scrub - almond, lavender, tea-tree (= only tested on humans)  </p>

<p><img alt="almond-lavender-te-tree-glycrine.jpg" src="http://www.doorsofperception.com/archives/almond-lavender-te-tree-glycrine.jpg" width="400" height="333" /></p>

<p><br />
8)   Sambal  (= off-grid heat source)</p>

<p><img alt="sambal.jpg" src="http://www.doorsofperception.com/archives/sambal.jpg" width="400" height="400" /></p>

<p><br />
9)   Home-made (by Yuka) willow basket containing mussel shells that are crushed and then fed to chickens (= low transport-intensity animal feed)</p>

<p><img alt="yuka-basket+mussels.jpg" src="http://www.doorsofperception.com/archives/yuka-basket%2Bmussels.jpg" width="400" height="600" /></p>

<p><br />
10)    Our first chickens (there used to be one more but a dog called Sarah, who we rescued from the dog pound, to be a friend for Dora, ate it (the chicken) so we sent Sarah back to the slammer). The bottom-right chicken is a designer-one with fancy leg feathers; the others, being street-chix, give her a hard time. </p>

<p><img alt="sonette_pouline_patti.jpg" src="http://www.doorsofperception.com/archives/sonette_pouline_patti.jpg" width="400" height="300" /></p>

<p><br />
11)   The chickens earn their keep (= meaningful work in local economy) </p>

<p><img alt="eggs.jpg" src="http://www.doorsofperception.com/archives/eggs.jpg" width="400" height="333" /></p>

<p><img alt="breakfast_kvr.jpg" src="http://www.doorsofperception.com/archives/breakfast_kvr.jpg" width="400" height="320" /></p>

<p>12)  We learned how construct a bio-intensive, multi-layered, four-year-cycle planting bed under the instruction of a noted agro-ecologist, Robert Morez [= knowledge from different parts of Africa, combined and adapted for a different context]</p>

<p><img alt="p1030133.jpg" src="http://www.doorsofperception.com/archives/p1030133.jpg" width="400" height="550" /></p>

<p><br />
13)   Cherries from market [top] and our own red berries [below] ( = reasons to be cheerful while planet burns)</p>

<p><img alt="cherries.jpg" src="http://www.doorsofperception.com/archives/cherries.jpg" width="400" height="300" /></p>

<p><img alt="red berries harvest.jpg" src="http://www.doorsofperception.com/archives/red%20berries%20harvest.jpg" width="400" height="300" /></p>

<p><br />
14)   Our first saurkraut being compressed in brown pot (= zero-energy food storage)</p>

<p><img alt="zuurkool.jpg" src="http://www.doorsofperception.com/archives/zuurkool.jpg" width="400" height="333" /></p>

<p><br />
15)  The curtain was three euros in our street market (= saves heat whilst watching Grand Designs)</p>

<p><img alt="heat-saving-curtain-from-puces.jpg" src="http://www.doorsofperception.com/archives/heat-saving-curtain-from-puces.jpg" width="400" height="300" /></p>

<p><br />
16)   We learn how to prepare a duck  (= collaborative dis-intermediation of food chain)</p>

<p><img alt="canardengroupe.jpg" src="http://www.doorsofperception.com/archives/canardengroupe.jpg" width="420" height="320" /></p>

<p><br />
17)  JT starts podcasting career, slowly; This was for BBC Radio 4, really.  (= reduced travel emissions once minor technical glitches are resolved). </p>

<p><img alt="johnradio.jpg" src="http://www.doorsofperception.com/archives/johnradio.jpg" width="400" height="300" /></p>

<p><br />
18)   Dora has last of her six showers per year; yes, we heard too, the ecological footprint of a large dog  is the same as driving a V8 SUV 10,000km - but we offset that against the fact that she is our role-model for low-water-use hygiene concept</p>

<p><img alt="dora-shower.jpg" src="http://www.doorsofperception.com/archives/dora-shower.jpg" width="420" height="550" /></p>

<p>19)   Wood cave  (= FRC-certified wood and thus off-grid to a degree; although yes, it was chopped by a large diesel-powered machine at the yard and delivered in a truck...)</p>

<p><img alt="wood-cave.png" src="http://www.doorsofperception.com/archives/wood-cave.png" width="400" height="361" /></p>

<p>20)  Bubble-glazing.  Instructions: cut-to-fit; spray with water; bubbles face inwards. Done.</p>

<p><img alt="bubbleglazing.jpg" src="http://www.doorsofperception.com/archives/bubbleglazing.jpg" width="300" height="350" /></p>]]>

</content>
</entry>
<entry>
<title>Designing an associative life</title>
<link rel="alternate" type="text/html" href="http://www.doorsofperception.com/archives/2009/12/designing_an_as.php" />
<modified>2010-01-22T12:12:09Z</modified>
<issued>2009-12-15T09:28:44Z</issued>
<id>tag:www.doorsofperception.com,2009://1.4434</id>
<created>2009-12-15T09:28:44Z</created>
<summary type="text/plain">Government departments or ministries responsible for sustainability, or &quot;the environment&quot;, are too often constrained by small budgets and modest influence. Their very existence allows traditional departments - &quot;industry&quot;, &quot;economic affairs&quot;, &quot;finance&quot; or &quot;transport&quot; - to carry on their ecocidal ways...</summary>
<author>
<name>John Thackara</name>
<url>www.doorsofperception.com</url>
<email>john@doorsofperception.com</email>
</author>
<dc:subject>transition and resilience</dc:subject>
<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://www.doorsofperception.com/">
<![CDATA[<p>Government departments or ministries responsible for sustainability, or "the environment", are too often constrained by small budgets and modest influence. Their very existence allows traditional departments  - "industry", "economic affairs", "finance" or "transport" - to carry on their ecocidal ways as normal. </p>

<p>A similar problem persists in business where Corporate Social Responsibility has long been treated as a sideline to the real action. </p>

<p>A growing number of individuals in government or industry silos want to work collaboratively with their peers in other silos - but they are often stymied by a system that imprisons them. </p>

<p>So what to do?  </p>

<p><img alt="4187233340_296eb07e83.jpg" src="http://www.doorsofperception.com/archives/4187233340_296eb07e83.jpg" width="420" height="300" /></p>

<p>Rather than rage against the iniquities of politicians, a new French organization called <a href="http://www.la27eregion.fr/"> La 27e Region</a>  (The 27th Region) has set out to help regional governments change by running collaborative projects that enable them to experience a new approach to social innovation in practice. </p>

<p>In recent months, for example, seven multi-disciplinary teams have conducted three month <a href="http://la27eregion.fr/Des-residences-a-mi-parcours">residences</a>, in different regions of France, on topics ranging from health centres, or the working lives of elected officials, to "augmented citizenship" and the role of school canteens in tackling childhood obesity. </p>

<p>Last week, in order to stimulate wider conversations in regional government, La 27e Region cleverly organised a kind of <a href="http://www.flickr.com/photos/l27er/sets/72157623004274156/">"off Broadway" social design event</a> in Marseille (see pic above) - the day before 3,000 elected politicians and officials gathered in the city for France's annual Congress of the Regions (of which there are 26). </p>

<p>La 27e Region's director, Stephane Vincent, invited me to join this creative back-casting day. It brought together elected officials, designers and and social innovators to "imagine an aspect of life in a sustainable region in ten or 20 years from now - and describe the steps that were needed to get there". </p>

<p>Although countries like the UK and the US are thought to be short on social capital, there are more than 500,000 associations in France. "La Vie Associative" - an associative life - is taken seriously here. Our workshop in Marseille was further proof for me that these grassroots entities are an extraordinarily valuable asset. </p>

<p>For my workshop, on regional food systems, we were joined by the Association for the Maintenance of Sustainable Agriculture <a href="http://www.reseau-amap.org/">(AMAP) </a></p>

<p><img alt="4186489485_c76d71179f.jpg" src="http://www.doorsofperception.com/archives/4186489485_c76d71179f.jpg" width="420" height="300" /></p>

<p>More than 800 of these enhanced community supported agriculture (CSA) schemes are loosely connected in a national network. More than 5,000 of what AMAP calls <a href="http://www.adequations.org/spip.php?article684">"consom'acteurs" </a> (consumer-actors) are involved in the Marseille region alone. </p>

<p>We chose to focus on two different kinds of food hub: school cantines, and community resource centres. </p>

<p><img alt="La27e2.jpg" src="http://www.doorsofperception.com/archives/La27e2.jpg" width="420" height="320" /></p>

<p>It may sound like taking coals to Newcastle, but school food is as pressing an issue in France as elsewhere. High school restaurants serve hundreds of millions of meals a year across France's regions, and yet <a href="http://www.cite-sciences.fr/francais/ala_cite/science_actualites/sitesactu/question_actu.php?langue=an&id_article=4043 ">"eighteen per cent of French children are overweight </a> and four per cent of them obese. If  nothing is done to reverse the trend, France could reach the level of the United States by about 2020  </p>

<p>The country has been moved, too, by a harrowing short film called <a href="http://www.nosenfantsnousaccuseront-lefilm.com/bande-annonce.html"> "Our children will accuse us" </a> by Jean-Paul Jaud   </p>

<p>Our second exercise was the specification of an "agro-ecological atelier" or community resource centre. </p>

<p>Different AMAP groups have been mapping and evaluating a wide variety of food resources for several years: market gardens, abattoirs, markets, distribution and storage points. </p>

<p><img alt="AMAP-map-1.png" src="http://www.doorsofperception.com/archives/AMAP-map-1.png" width="420" height="413" /></p>

<p><img alt="AMAP=map2.png" src="http://www.doorsofperception.com/archives/AMAP%3Dmap2.png" width="420" height="394" /></p>

<p>AMAPs understand the importance of connecting and linking these in a smart way. Elements, nodes, and relationships are common parlance in AMAP design practice.</p>

<p>In recent times, a special concern for AMAPs has been the identification of under-used spaces that could be used more flexibly and effectively. They have explored new forms of resource-sharing ("mutualization") and the "hybridizing" the integrated use of spaces and services. </p>

<p>Fair and transparent pricing among all elements of the food ecology is a key aspect of AMAP thinking. </p>

<p>Their policy in this respect parallels <a href="http://www.goodguide.com/topics/2009/3/26/goodguide-transparency-manifesto"> GoodGuide's Transparency Manifesto</a>: "We start from a simple premise: People have the right to know what they’re putting in, on, and around their bodies.There are three simple things everyone should know about their food but don’t: Where did it come from? How was it made? What’s in it?"  </p>

<p>The business people in our group felt  that full transparency would be a step too far for the big supermarkets in France. </p>

<p>For now, maybe. But during <a href="http://www.doorsofperception.com/archives/2008/12/city_eco_lab_7.php">City Eco Lab</a>in St Etienne last year, Casino, one of France's largest supermarket firms, was an enthusiastic participant in public discussions of new business models for food. </p>

<p>There are good reasons to involve supermarkets as partners in new food systems. They have huge amounts of real-estate available to be re-purposed. And their distribution and logistics networks - while mis-directed, right now, to the unsustainable import of food from across the globe - are nonetheless super-optimised and ready to be re-purposed. </p>

<p><img alt="La27e1.jpg" src="http://www.doorsofperception.com/archives/La27e1.jpg" width="420" height="320" /></p>

<p>An intriguing scenario of our group was to re-purpose the supermarket's logistics systems to local and/or sustainable applications. </p>

<p>This scenario is explored in a video by one of la 27e region's close collaborators, <a href="http://vimeo.com/7099332"> Fing</a></p>

<p>The Fing video describes a supermarket site that has recaptured the warmth and conviality of food markets. It has become a co-operative space that enables multiple kinds of food system revitalisation: distribution, storage, preparation, amateur cooking societies, social systems for sharing the use of productive land. </p>

<p>As I stated above, a growing number of people in industry are ready to contemplate radically different  scenarios for the future of their businesses. Rather than proceed as if we must re-build everything from scratch, the time is right to invite the big players, too, to the Dance of the Big and the Small. </p>]]>

</content>
</entry>
<entry>
<title>Territorial development books </title>
<link rel="alternate" type="text/html" href="http://www.doorsofperception.com/archives/2009/12/territorial_dev.php" />
<modified>2010-01-22T12:12:09Z</modified>
<issued>2009-12-15T08:24:23Z</issued>
<id>tag:www.doorsofperception.com,2009://1.4433</id>
<created>2009-12-15T08:24:23Z</created>
<summary type="text/plain"> It has always been a point of pride at Doors of Perception events to curate the bookstore as carefully as we curate the speakers. We do this because when a conference theme cuts across disciplines - as ours do...</summary>
<author>
<name>John Thackara</name>
<url>www.doorsofperception.com</url>
<email>john@doorsofperception.com</email>
</author>
<dc:subject>transition and resilience</dc:subject>
<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://www.doorsofperception.com/">
<![CDATA[<p><img alt="rencontre_fete.jpg" src="http://www.doorsofperception.com/archives/rencontre_fete.jpg" width="280" height="210" /></p>

<p>It has always been a point of pride at Doors of Perception events to curate the bookstore as carefully as we curate the speakers. We do this because when a conference theme cuts across disciplines - as ours do - no single bookseller is likely to know which are the best supporting titles on sustainability *and* design *and* culture *and* business; we select them collaboratively. </p>

<p>So it was a special insider's pleasure to encounter a display of books at La 27e Region's event in Marseille (see story above) on all aspects of territorial development. </p>

<p>The word territorial has no direct English equivalent: in French (and also in Italian) it describes a synthesis of the soil, the land, the earth, biodiversity, culture, law, philosophy and sustainable development. Among my scores were a book on <a href="http://www.amazon.fr/Participations-citadines-action-publique-Jérusalem/dp/291349255X"> Citizen participation and public action: cases from Dakar, Rabat, Cotonou, jerusalem and Sanaa.</a> and another called <a href="http://www.priceminister.com/offer/buy/59186406/Sauquet-Michel-L-intelligence-De-L-autre-Prendre-En-Compte-Les-Differences-Culturelles-Dans-Un-Monde-A-Gerer-En-Commun-Livre.html"> "The Intelligence of the Other".</a> by Michel Sauquet which proposes an "ecology of different kinds of knowledge"; this, in English, would probably be called something less enchanting like  'intercultural awareness'.  I'm putting the online bookseller links here because I could not find any other references that show the books. </p>

<p>If you're minded to buy these, please go to (I'm roughly translating again) the <a href="http://lalibrairiedesterritoires.org/">Territorial Development Bookshop.</a></p>

<p>If you're thinking - "what use is this to me, it's all in French!" - then I agree with you and apologise. But  I also have a question: does anyone know who we might approach for funding to pay for an editorial service that would make French books, events, people and projects available to an English readership? We can make a start with one editorial post. </p>]]>

</content>
</entry>
<entry>
<title>Hand-made clothes for all</title>
<link rel="alternate" type="text/html" href="http://www.doorsofperception.com/archives/2009/12/if_the_shoe_fit.php" />
<modified>2010-01-22T12:12:09Z</modified>
<issued>2009-12-12T08:35:51Z</issued>
<id>tag:www.doorsofperception.com,2009://1.4432</id>
<created>2009-12-12T08:35:51Z</created>
<summary type="text/plain"> This Louis Vuitton ad features shoes which cost about 600 euros (US$700) in the shops. I don&apos;t know how much Louis Vuitton pays for them, and I don&apos;t know how much they will be paying Tony Blair to help...</summary>
<author>
<name>John Thackara</name>
<url>www.doorsofperception.com</url>
<email>john@doorsofperception.com</email>
</author>
<dc:subject>development &amp; design</dc:subject>
<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://www.doorsofperception.com/">
<![CDATA[<p><img alt="IMG_2894.JPG" src="http://www.doorsofperception.com/archives/IMG_2894.JPG" width="420" height="400" /></p>

<p>This Louis Vuitton ad features shoes which cost about 600 euros (US$700) in the shops. I don't know how much Louis Vuitton pays for them, and I don't know how much they will be <a href="http://www.guardian.co.uk/commentisfree/2010/jan/12/tony-blair-louis-vuitton"> paying Tony Blair to help sell them</a> but I'd be surprised if the unit cost to the company is what: 60 euros? half that? </p>

<p>The numbers may be confidential, but it's no longer a secret that <a href="http://www.businessweek.com/magazine/content/04_12/b3875002.htm"> Louis Vuitton products are not hand-made by horny-handed French craftsmen.</a> On the contrary: the labour-intensive aspects of Louis Vuitton shoe production take place in India. </p>

<p>But final assembly and finishing happen in Italy - so the louche young man in the ad could well be genuine. This arrangement allows the shoes to be labelled as ‘Made in Italy’  - at the end of a process the company describes as "industrial craftsmanship".</p>

<p>Other writers have  written at length about <a href="http://www.amazon.com/Deluxe-How-Luxury-Lost-Luster/dp/1594201293">the marketing and communication games played by European fashion houses.</a> Besides, if LVMH can part too-rich fools from their money, and treat their suppliers modestly well, it's not clear to me that a grave social or environmental crime has been committed. </p>

<p>Many me-too luxury brands, struggling to compete with the sophistication of the LVMH operation, source production far less ethically than Louis Vuitton does. This  Chinese sweathshop/prison supplies other brands:</p>

<p><img alt="chinese-factory-luxury.jpg" src="http://www.doorsofperception.com/archives/chinese-factory-luxury.jpg" width="400" height="316" /></p>

<p>My point is different: why should the benefits of this kind of distributed design and production be limited to to luxury brands and powerful high street retailers here in the North?</p>

<p>During my visit to Sri Lanka (story below) one industry leader referred the Sri Lanka of of a few years ago  as a "nation of tailors" - with the implication that that the country was less advanced then than now.</p>

<p>I offered a different view: that a "nation of tailors" is a positive attribute for these new times. </p>

<p>A nation - or at least, a factory -  that is wholly dependent on one powerful buyer from the other side of the world - a buyer that (as we heard) can switch to another country at a moment's notice - is less resilient to sudden change than is a nation/industry/factory that has a richer range of capabilities. </p>

<p>This conversation followed our group's visit to a state-of-the art 'green' factory: </p>

<p><img alt="SriLanka_MAS_factory.png" src="http://www.doorsofperception.com/archives/SriLanka_MAS_factory.png" width="420" height="379" /></p>

<p>The production workers we saw in the MAS factory are not Savile Row tailors - but I am certain they are resourceful and skilled enough to produce clothes and accessories to a high quality. </p>

<p>The scenario we started to discuss is one in which Sri Lanka starts to produce clothes for customers using <a href="http://www.bodymetrics.com/">communication platforms that connect maker and designer and customer directly.</a> (Thanks to Ian Brown for that link).</p>

<p>If this radically dis-intermediated relationship were to be based based on total transparency conerning costs, the expensive marketing, retail and brand communications - not to mention 40% profit margins - of the luxury brands could be removed from the equation. </p>

<p>Such a scenario sounds implausible in the context of the big business that's being done right now  between Sri Lankan factories and rich world corporate buyers. But it would surely be feasible for some companies and designers to experiment in a modest way - perhaps under a different flag. </p>]]>

</content>
</entry>
<entry>
<title>From King Parakramabahu to ethical fashion </title>
<link rel="alternate" type="text/html" href="http://www.doorsofperception.com/archives/2009/12/king_raindrop.php" />
<modified>2010-01-22T12:12:09Z</modified>
<issued>2009-12-03T06:12:07Z</issued>
<id>tag:www.doorsofperception.com,2009://1.4430</id>
<created>2009-12-03T06:12:07Z</created>
<summary type="text/plain"> Some people blame the Enlightenment for our present troubles. The scientific revolution, they say, gave man ideas above his station. We frequently harm natural systems, goes the charge, because of our delusional belief that we are separate from, and...</summary>
<author>
<name>John Thackara</name>
<url>www.doorsofperception.com</url>
<email>john@doorsofperception.com</email>
</author>
<dc:subject>development &amp; design</dc:subject>
<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://www.doorsofperception.com/">
<![CDATA[<p><img alt="KingRaindrops.png" src="http://www.doorsofperception.com/archives/KingRaindrops.png" width="384" height="557" /></p>

<p>Some people blame the Enlightenment for our present troubles. The scientific revolution, they say, gave man ideas above his station. We frequently harm natural systems, goes the charge, because of our delusional belief that we are separate from, and have dominion over, nature. </p>

<p>This myth of apartness, the charges conclude, dulls the responsibility we'd feel if we felt ourselves to be co-dependent members of natural community.</p>

<p>History suggests that modernity is not uniquely to blame for messing with Gaia. During his reign as King of Sri Lanka from 1153–1186, for example, Parakramabahu asserted that "not even a little water that comes from the rain must flow into the ocean without being made useful to man". He went on to construct or restore of 165 dams, 3910 canals, 163 major reservoirs and 2376 minor tanks - all in a reign of 33 years. </p>

<p>Parakramabahu started a tradition whereby every Sri Lankan king would build dams; the island now contains more than a thousand. No country in the world contains so much man-made irrigation per square km. </p>

<p>True, many of the eighty largest ones were built by foreign contractors using international development finance; today, these mega-projects would probably be frowned on. But the most intense - and indeed sophisticated - fiddling by man with nature took place 1,000 years ago.</p>

<p>Green factories</p>

<p><img alt="pub09cmb001w.jpg" src="http://www.doorsofperception.com/archives/pub09cmb001w.jpg" width="420" height="150" /></p>

<p><br />
I learned about King Parakramabahu during a visit last week to a bra and panty factory in Sri Lanka - MAS Intimates Thurulie - which is <a href="http://www.holcim.lk/LK/EN/id/1610655638/mod/6/page/editorial.html">one of the greenest factories in the world. </a></p>

<p>Almost as impressive as the rainwater capture tanks, cement stabilized bricks made of local materials, anaerobic digesters, and water-saving sculpted landscape, was the fierce competiton between rival manufacturers MAS (where I went) and Brandix to prove to us visitors that its factory was greener that the other's.</p>

<p>More than a million people (out of population of 20 million) work in Sri Lanka's fashion industries, so it's critical to the whole economy. Companies have to contend with two pressures: One one side are powerful foreign buyers such as M&S (the MAS factory's sole client), Tesco, and Victoria's Secret. (The latter's buyers tend to arrive in large helicopters).</p>

<p>Sri Lanka's industry must also contend with competition from other fashion producing countries, from Turkey to Bangladesh, that also need to support hundreds of thousands of small and micro businesses. The big global buyers can and do switch production from one country to another at a moment's notice if they deem it necessary to do so for competitive reasons. </p>

<p>Squeezed like this, it's no small matter that Sri Lanka has resolved to compete on the basis that it's companies are ethical and sustainable, not just cheap. A centrepiece of this strategy is <a href="http://www.garmentswithoutguilt.com/">Garments Without Guilt. </a></p>

<p>But how to proceed? This was the question posed by the <br />
<a href="http://www.srilankadesignfestival.com/">Sri Lanka Design Festival </a> to an International Symposium on Ethical Fashion. Here below is the text of my 30 minute contribution.</p>

<p>]  Fashion in a green economy<br />
]  John Thackara speech Sri Lanka Design Festival 30 November 2009</p>

<p>I will talk today about the emerging green economy – its ethical basis, and in particular the unique opportunity for Sri Lanka to become a model that can inspire and teach the rest of the world.</p>

<p>I will talk about the concept of clean growth - and whether it is, or is not, a contradiction in terms.</p>

<p>I will conclude with some practical suggestions about how to innovate for sustainability – especially when the fashion buyer has so  much power, and when the interests of so many different stakeholders need to be aligned. <br />
</p>]]>
<![CDATA[<p>Our situation today is uniquely challenging. Financial collapse. Peak oil. Climate change. Insecure food systems. Each of these challenges is daunting on its own. Taken together, they surely mean that business- as-usual is over - for good. The old ways will not return. </p>

<p>Yes, there are “green shoots” - but they are not the same old plants. They are the first sign that new economic and social life forms are emerging: social and business arrangements quite unlike what we have all known until now. </p>

<p>What your overseas visitors have seen over past few days suggests strongly to me that Sri Lanka has the potential to be one of these new life forms.</p>

<p>Globally, we have arrived at what complexity researchers into complex systems call an “inflection point” - a tipping point. After forty years of talk and prevarication about what needs to be done, of putting off inevitable change, I believe our instinct for survival is finally taking hold.  </p>

<p>I say survival, because the existing economy - the economy in which Gross Domestic Product is the only measure of success – has become, in the words of the True Cost campaign, a “doomsday machine.”  It is programmed to grow to infinity in a biosphere whose carrying capacity is finite.  </p>

<p>The fashion industries have not been immune from the madness of chasing growth: More and more collections every year, regardless of the costs and consequences. </p>

<p>Many people in this room are more expert than I am on issues to do with pesticides, dyes, water, energy, and waste. We all know what the problems are. </p>

<p>But let’s not beat ourselves up unnecessarily. Fashion is no worse than many other industries in its introspection, and disregard for the bigger picture.  </p>

<p>The information technology industry is notorious for looking only inwards inside its tent. The car industry, likewise.  Aviation? totally in denial. Sustainability advocates with names like John who fly around the world? Not much better.</p>

<p>Our subject today could just as easily be food. Thanks to four decades of innovation and modernisation, the world’s food systems are twelve times less efficient today, in terms of energy and energy out, than they were when I was a child. </p>

<p>Food systems are a main cause of the global obesity pandemic. As today’s obese children get older, and develop diabetes and heart conditions, their sickness threatens to overwhelm health services  of advanced countries. At least fashion is not to blame for that!</p>

<p>Whether it’s food, or fashion, or shelter, or transport, all the systems by which we organize daily life so badly are symptoms of a structural problem: they operate within an economy whose only measure is money.</p>

<p>What does not get measured, tends to get forgotten – and then, concreted over.  GDP does not take important aspects of our societies into account: neither the informal sector, nor the well-being of populations, nor the health of ecosystems.</p>

<p>It’s madness. And the world is waking up to the fact that it’s madness. </p>

<p>A couple of weeks ago, for example, the economist Lord [Nicholas] Stern gave a talk at the People's University of Beijing. Stern, a key architect of the global status quo, stated the unthinkable: “we have to question whether we can afford future growth”.</p>

<p>Can’t afford to grow! What an extraordinary thing for a former World Bank chairman to say! Even its most ardent former advocates, in other words, believe the basic operating system of the global economy is broken.</p>

<p>But wait a minute: the basic premise of the global economy is perpetual growth without thought about its impacts on the biosphere. Who knows how to operate economically under such constraints?</p>

<p>The countries that are not yet wrongly-developed, that’s who knows.</p>

<p>For the last 30 years, the word development has been used in this sense: that advanced people in the North must help backward people in the South catch up with their own situation. Hmmm.</p>

<p>But consider this: the average US citizen emits as much CO2 in one day as someone in China does in over a week, or a Tanzanian in seven months. Or this: a tourist to Mali from a rich country uses as much water in 24 hours as a villager who lives there uses in 100 days. </p>

<p>Big D development - top-down, outside-in development - tends to view human, cultural and territorial assets - the people and ways of life that are already there - as impediments to progress and modernisation. </p>

<p>The development industry – which is what it has become - measures progress, in other peoples’ countries, in terms of growth and increased consumption. Big D development tends to devalue human agency and existing contextual knowledge. And it often seeks to replace people with technology, automation and “self service”. </p>

<p>Automation? In a world with six billion people and rising? Very smart. Not.</p>

<p>I'm haunted by the writer Maggie Black's words here: "millions of people are expelled to the margins of fruitful existence in the name of someone else's progress".</p>

<p>That’s why my one of key points today is this: We are all emerging economies now.</p>

<p>CLEAN GROWTH?</p>

<p>The predicament of industrial civilization is that we have been striving after infinite growth in a world of finite resources.</p>

<p>A growing number of people, having realized that this is absurd, are now engaged an argument whether any kind of economic growth is consistent with sustainability.</p>

<p>In France, there are advocates of  "decroissance" - "de-growth" - a radical change of course which its proponents compare to getting a drug addict off heroin. Advocates of degrowth propose to replace GDP  with  a “steady-state economy”, on the basis that any other course is a  threat the planet and humanity.</p>

<p>Others say that while some aspects of today’s economy are dirty, not all of them are. Carbon-based transportation and energy generation may be dirty, they say. but clean and waste-free production, or a focus on labour-intensive services, can surely expand the value of the economy without doing harm. </p>

<p>My problem with this latter version of ‘clean growth’ is that it still limits our understanding of the economy to the production of paid-for goods and services; it’s “GDP-light”. </p>

<p>For me, a better way to replace ecocidal GDP is to redefine what we mean by value, and wealth. </p>

<p>Rather than think of the economy as a machine for churning our merchandise, we should think of “economy” as the sum total of the ways we take care of so-called “current assets” - human, natural, and cultural assets. </p>

<p>Viewed through this lens, of valuing current assets, our economic focus shifts from perpetually increasing extraction and consumption - to preservation, stewardship, and restoration. </p>

<p>And do you know what? This is not complicated. The rules for a green economy are, following three decades of research and reflection, well understood. </p>

<p>Rather than strive to make the most profit, regardless of the consequences, a green economy:</p>

<p>1  sets out to meet human needs, whilst also protecting the capacity of natural systems to support life; </p>

<p>2  does not use natural resources faster than they can be replenished by the planet;</p>

<p>3 does not deposit wastes faster than they can be absorbed.</p>

<p>For high carbon, high entropy, highly complex societies, these rules are indeed hard to implement. But for an emerging economy like Sri Lanka, the jump is not so great. It’s more a matter of self-confidence than about re-tooling the whole economy, as is the case in the North.</p>

<p>The key to a new economy, in other words, is principally about a mindset – a clear ethical framework. </p>

<p>That ethical framework is easily stated: an unconditional respect for life, and for the conditions that support life: Acknowledging the biosphere as a systemic whole in which human beings are a co-dependent part.</p>

<p>Ethical statements along these lines crop up throughout the modern age. In 1949, for example, the American forester and ecologist Aldo Leopold proposed what he called a "land ethic" that would guide "man's relation to land and to the animals and plants which grow upon it".</p>

<p>"A thing is right when it tends to preserve the integrity, stability, and beauty of the biotic community" wrote Leopold. "It is wrong, when it tends otherwise". ["Biotic community" here is another name for what we now call the biosphere].</p>

<p>Leopold argued that harm was frequently done to natural systems because of our culture's belief in its separateness from, and dominion over, nature. This myth of apartness dulls the sense of responsibility that would follow if we felt ourselves to be co-dependent members of natural community, he wrote.</p>

<p>This sense of apartness is not universal. This myth of apartness is notably less pervasive in Sri Lanka. </p>

<p>ECO-TECHNICS</p>

<p>An ethic based on an unconditional respect for life, and for the conditions that support life, does not mean the abandonment of science or engineering.</p>

<p>On the contrary: it's because of what science has taught us about the biosphere, and about the complexity and precariousness of nature -- things that we did not know at the start of the modern age - that the time has come to re-define the ethical basis of the economy.</p>

<p>You may argue that this is to state the obvious: That of course your people respect life, and the conditions that support life.</p>

<p>But I stress the word unconditional. If a commitment is unconditional, it does not mean "take account of"; or "pay due respect to"; or "move steadily towards". </p>

<p>It does not mean "minimise adverse effects on nature" - it means a target of *no* adverse effects.</p>

<p>Unconditional does not mean generating "less waste than any of our competitors" - it means a commitment to zero waste, and zero emissions.</p>

<p>All very fine and virtuous, you are probably thinking - but what’s to stop our competitors stating that they, too, have an unconditional support for life - only they then quietly cut corners and play games with the spirit and practice of ecological accounting? </p>

<p>When there are 40,000 lobbyists in Brussels alone – and probably double that number in Washington -  what’s to stop the good guys losing out to the greenwashers?</p>

<p>ETHICS *AND* METRICS</p>

<p>A green economy has to be about ethics and metrics. It’s about clear moral purpose, backed up by rigorously defined and implemented measures. </p>

<p>At the technical level, new tools for ecological acccounting are coming along. Two years after the Stern Review, a report called The Economics of Ecosystems and Biodiversity (TEEB), by Pavan Sukhdev, was published by Deutschebank and the European Commission. </p>

<p>Setting out a "comprehensive and compelling economic case for the conservation of biodiversity", TEEB promotes a better understanding of the true economic value of the benefits we receive from nature. </p>

<p>According to TEEB, the global economy is losing more money from the disappearance of forests than through the banking crisis. </p>

<p>TEEB has the potential to be the trigger that transforms how business measures, and therefore looks after, these life-critical assets. The Stern Review, and TEEB, provide new ways to measure the ecological impacts of economic activity on a large scale.  </p>

<p>New tools are also nearly ready to help individual companies and communities measure the impact of their day-to-day operations on ecosystems. These tools, too, are in the pipeline.</p>

<p> In December last year, a report was published by Business for Social Responsibility called "Measuring Corporate Impact on Ecosystems: A Comprehensive Review of New Tools”. These developments mean that the true costs of long and complex supply chains can be measured. </p>

<p>Metrics and standards is, I know, a complex - and not always gripping - story. One of the biggest challenges is the sheer number of them. </p>

<p>Many people know about Fairtrade, which  is about better prices, decent working conditions, local sustainability, and fair terms of trade for farmers and workers in the developing world. </p>

<p>But there are already close to 100 different labels addressing environmental or social sustainability, or consumers’ health, in the textile and clothing industry alone. The proliferation of labels and standards adds fog, not clarity, to the subject of ecological accounting.</p>

<p>One way  to ensure that the good guys win - and the bad guy greenwashers have to toe the line - is to base the whole system, the whole fashion ecology, on principles of open-ness and transparency. </p>

<p>I know this runs against the deepest habits of the fashion industry, but in an open system, the liars will be found out. </p>

<p>A second way to ensure the good guys win is to find certification partners who are above reproach. Just as an example, I’m tremendously impressed by the work of Christian Aid in mapping the global impacts of supply webs. </p>

<p>It was Christian Aid who demonstrated that the UK, which had been boasting that it was only responsible for two percent of global emissions, was in fact responsible for 12-15 percent of global emissions once their ownership of production in China and India was factored in. </p>

<p>So yes, we need metrics to police our impact on the natural world. But what about the people side of sustainability? </p>

<p>In Europe and the US – in the “advanced” economies -  there’s a tendency to equate “green jobs” with such occupations as the installation of solar panels, or erecting wind turbines. </p>

<p>There’s an assumption that a knowledge-based and creative economy necessarily entails more high tech, is more complex, and involves a higher monetary throughout. </p>

<p>But for me a green economy is not about replacing one set of production-line jobs with another - only in a green building, and framed by ethical terms and conditions. </p>

<p>We have all been impressed by the extraordinary achievements made here in Sri Lanka on both these counts. But I hope you will take is as a mark of respect if I make the suggestion that you can do even more.  </p>

<p>For a green economy needs to be be about livelihoods, not just jobs. </p>

<p>The concept of livelihood embraces all the resources and activities – material, social, natural  -  required for a means of living.  All of life, not just nine-to-five life.</p>

<p> Jobs invariably involve money. Livelihoods, being the property of a community, may or may not involve money.</p>

<p>For example, artisan communities contain vast amounts of knowledge. In India, for example, there are up to 15 million people for whom artisanship, and livelihood are as one. What they know about working with nature, and its materials, in a place, are the means by which they are able to do their work. </p>

<p>There are at least as many artisans in South Asia as there are creative professionals in Europe. Probably many more. Your artisans did not go to design schools, and their  knowledge cannot be expressed in words, numbers and rules. </p>

<p>But for me, their tacit, contextual knowledge is at least as valuable and important as knowledge owned by the “creative class”. </p>

<p>As my friend Jogi Panghaal has taught me over 20 years, we all have so much to learn from artisans about their habitats, their food and drink practices, dance forms, healing traditions, their stories, songs, theatre, and dance, dress and traditions. </p>

<p>Jogi likes to say that “you make with material, but the material makes you".  </p>

<p>A skilled artisan knows more about economy of means than 100 value engineering consultants.  One local farmer is more important to  food security than a laboratory full of genetic engineers. </p>

<p>This is not to be sentimental about artisans. </p>

<p>We northerners too often make assumptions about  people who do what they do, and live in particular ways, in response to specific conditions. It’s insulting of us to demand of ethnic or indigenous communities that stay as they are, and don’t change, just because we find their ways of life quaint – and marketable back in the North. </p>

<p>Sometimes traditonal ways are optimal; sometimes a fusion of old and new will be better. But it’s not for outside experts to make that call. </p>

<p>There need to be continuous discussions, between all actors in the fashion ecology, about what are  appropriate and sustainable types, tempos and scales of production. </p>

<p>Designers have an important contribution to make – but not as the bringers of product bluepints and price points. </p>

<p>Designers can cast fresh and respectful eyes on a situation to reveal material and cultural qualities that might not be obvious to those who live them. </p>

<p>I hope I have made it clear by now that the green economy is not being made by clever guys staring at computer screens in shiny resrrtch buildings, protected by guards.</p>

<p>No: the green economy is being made wherever people are growing food in cities.  The green economy is where people are opening seed banks. It’s being made where communities are removing dams, and restoring watersheds. </p>

<p>Anywhere you find car-share schemes, or off-grid energy – there is a green economy hotspot. </p>

<p>You’ll find the green economy wherever people are launching local currencies. Non-money trading models are cropping up like crazy: nine thousand examples at last count.  In their version of a green economy, 70 million Africans exchange airtime - not cash. </p>

<p>Thousands of groups, thousands of experiments. For every daily life support system that is unsustainable now - food, health, shelter, and clothing -– alternatives are being innovated.</p>

<p>The keyword here is *social* innovation. </p>

<p>Social innovation is all around us. Every community contains assets in the form of people and their skills and their culture. By some accounts, there are one million grassroots environmental organisations out there in the world; the website Wiser Earth, alone, lists 120,000 of them.  </p>

<p>Examples in the North have names like “Post-Carbon Cities” or “Transition Towns”. </p>

<p>The Transition Towns movement, especially, is highly significant if you want evidence, here in Sri Lanka, that things are changing, and profoundly, in the North.</p>

<p>Transition initiatives, which only started a couple of years ago, are multiplying at extraordinary speed. More than 200 communities in Europe and North America have been officially designated Transition Towns, or cities, districts, villages - and even a forest.</p>

<p>A further 2,000 communities around the world are "mulling it over" as they consider the possibility of starting their own Transition Initiative. </p>

<p>The transition model - I'm quoting their website -  “emboldens communities to look peak oil and climate change squarely in the eye". </p>

<p>But they don't just look: Transition groups break down the scary, too-hard-to-change big picture into bite-sized chunks. </p>

<p>The essence of their idea is to create a disaster response preparedness plan just in case the calamaties of peak oil, and economic or environmental collapse, actually happen. </p>

<p>Transition Towns practise risk management and due diligence - but in a social context. </p>

<p>Transitioners, as they call themselves, develop practical to-do lists; they put those items in an agreed order of priority and then start to work on the priority tasks they’ve agreed on. </p>

<p>Their focus is the notion of resilience. “Fui so” in Chinese: the capacity of a system to adapt to change, to rejuvenate. </p>

<p>Resilience means the capacity of a place-based community to survive without the profligate energy and resource consumption that the advanced economies have become used to.  </p>

<p>The Transition model is powerful because it brings people together from a single geographical area. These people, of course, have different interests, agendas and capabilities. But they are united in being dependent on, and committed to, the context in which they live. </p>

<p>Just like the artisan communities I talked about a bit earlier. </p>

<p>A second reason the Transition model is so powerful is that it uses a process of setting agendas and priorities - the "open space" method -  that is genuinely inclusive of all points of view.</p>

<p>I do not suggest that Transition Towns is a model you need to adapt for Sri Lanka. On the contrary, you have fascinating experiments here. </p>

<p>We were impressed by direction being taken by the Slow Food movement here for example, and fascinated by the business model for sustainable food, agro-forestry and rural development of a private entity, Saaraketha.</p>

<p>I hear that your home-grown Sarvodaya movement, active in 15,000 villages here, shares many of the Transition Towns interests: self-reliance; community participation; micro-credit; an holistic understanding of communities and natural systems. And Sarvodaya has been growing and adapting for nigh on 50 years.</p>

<p>There are elements of Buddhist or Ghandian thought in Transition thinking, too. But it is inevitable, and right, that responses to the great transformation we are all involved in will take different forms in different contexts.</p>

<p>STEPS</p>

<p>For the last part of my talk I promised you some practical suggestions about how to proceed from here on in the fashion industry – especially when the buyer has so  much power, and when the interests and cultures of so many stakeholders need to be aligned.</p>

<p>I borrowed a phrase from the theatre director Eugenio Barba to describe this stage of our journey: “the Dance of the Big and the Small”.</p>

<p>It is true, of course, that who holds the purse, has enormous power. But she or he is not omnipotent. </p>

<p>On the contrary: the most important feature of the green economy I have described today is co-dependency – of man and nature, developed and under developed, of artisan and fashion system. </p>

<p>As I said at the start, I sense, everywhere I go, that awareness of co-dependncy is being rediscovered at astonishing speed.  Untold millions are waking up to the fact we are not separate from and above the biosphere. We live and act inside a complex of inter-connected systems. </p>

<p>As that realisation sinks in, we are realizing that our journey is not headking for a single place, like Xanadu. Our destination is not a thing, like a Holy Grail. </p>

<p>Sustainability, or resilience, is not  a secret code that will be revealed, with great fanfare, when we complete a trying pilgrimage.</p>

<p>Nobody knows how the green economy will look or work in detail. I don’t. You don’t. Sir Stuart Rose from M+S doesn’t know. </p>

<p>No: a green economy is about ways of perceiving, and ways of acting in the world that we will discover together. </p>

<p>We have heard a lot about the buyers for huge brands whose only interest seems to be to drive down prices. We’ve heard how fast fashion seems to be accelerating of its own accord, with more and new products launched at ever shorter intervals. We’ve heard that young people seem to be unconcerned by big picture issues, and drive this manic consumption along. </p>

<p>The answer is not to try and confront this rampaging beast head-on. </p>

<p>The answer is to create experimental lines and channels on the edge of your main business. Give people access to experiences – and some products – that are unexpected, different, and authentic. And see what happens.</p>

<p>I learned this week about a special problem in the regard: if you launch a line of “ethical” products, they make all your other products look, by implication, un-ethical!  So create a parallel brand, like the airlines did when threatened by the low-cost carrriers.</p>

<p>One of your industry leaders told me of his pride that Sri Lanka has evolved from a “nation of tailors” to a “master of integrated solutions”. </p>

<p>To be honest, this does not sound to me like progress. I respond more warmly to the idea of a tailor than to an “integrated solution”. </p>

<p>Please look after and nurture your tailoring traditions – but look for new ways to make them viable as a business. Connect the people who make things, here, with people in other places who need clothes and would dearly love to have a direct relationship with the person who makes them. </p>

<p>The true fashion innovator will bring new and different actors together on modest experiments of the kind I just described. </p>

<p>The most important innovation tool will be a question, not a product specification: “how might we connect our tailor-makers to individual customers in a way that delivers value to all the parties involved fairly, and sustainably?”</p>

<p>There’s always a danger, in talking about ethics, as I have done here today, that one ends up sounding like a priest telling people what to believe, and how to behave. </p>

<p>I know the fashion industry well enough to know that this would be a futile way to act. </p>

<p>I prefer to be thought of as a bee, than a priest. Bees cross-pollinate between plants - and don’t forget: without the bee’s visits, there would be no life. There are many individuals out there – the odd ones out, the people who don’t fit neatly into a box, or into a budget heading. They are often the bees among us. </p>

<p>But I also talked about the Dance between the Big and the Small.  Maybe what we need is a new kind of dance master to teach all the different actors new steps, and how to work together. It would be fun to explore that idea but - perhaps just as well - my time is up.</p>]]>
</content>
</entry>
<entry>
<title>In the Palace of the Popes</title>
<link rel="alternate" type="text/html" href="http://www.doorsofperception.com/archives/2009/11/avignon.php" />
<modified>2010-01-22T12:12:09Z</modified>
<issued>2009-11-23T06:08:46Z</issued>
<id>tag:www.doorsofperception.com,2009://1.4429</id>
<created>2009-11-23T06:08:46Z</created>
<summary type="text/plain">Is culture something that’s produced to be sold, or a description of the ways people live? It’s an old question, but last week’s Forum d’Avignon (see also my story below) put a new spin on it: could the culture industries...</summary>
<author>
<name>John Thackara</name>
<url>www.doorsofperception.com</url>
<email>john@doorsofperception.com</email>
</author>
<dc:subject>new economic metrics</dc:subject>
<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://www.doorsofperception.com/">
<![CDATA[<p>Is culture something that’s produced to be sold, or a description of the ways people live? It’s an old question, but last week’s Forum d’Avignon (see also my story below) put a new spin on it: could the culture industries lead the way out of the economic crisis?</p>

<p>The debate did not take place on neutral territory. The Forum’s 300 grandees of media, economy and culture met in the Palace of the Popes. The event felt more like a papal conclave than a business meeting.</p>

<p><img alt="avignon01.png" src="http://www.doorsofperception.com/archives/avignon01.png" width="420" height="274" /></p>

<p>But the Forum crowd was not to be diverted from earthly matters. The first day coincided with the leak of a dramatic missive from Société Générale warning its private clients to be ready for a possible <a href="http://www.viewsflow.com/w/1hq">global economic collapse </a> over the next two years. </p>

<p>Against that background, a report presented by one of three big consulting firms present in force, Bain,  seemed to amplify the already nervous disposition of the media titans. Bain talked about “value shifts” in the culture and media industries – but from the look of the charts, “disappearance of profits” would have been more fitting language. </p>

<p>Eric Scherer, strategy supremo at Agence France Presse, has coined the term <a href="http://mediawatch.afp.com/public/Microsoft_Word__AFP_MediaWatch_Printemps_Ete_2009.pdf">mediapocalypse </a> to describe the apparent vaporization of business models that have kept these media-cultural monoliths afloat until recent times. </p>

<p>The Forum came to life with an apostatic riff by Lawrence Lessig on <a href="http://www.arte.tv/fr/2901448.html#0">“remix culture”</a> For Lessig, originator of the Creative Commons license, the mainstream media’s crisis is not just about money, it’s about power. Remix - along with open source, the free software movement, and so on - is a powerful challenge to the 'read only’ or permission-based culture of mainstream media and culture.  </p>

<p><img alt="Lessig screen-shot.png" src="http://www.doorsofperception.com/archives/Lessig%20screen-shot.png" width="420" height="375" /></p>

<p>Lessig’s talk was given added drama by the lowering presence on the podium of <a href="http://www.avignon-et-provence.com/avignon-tourism/popes-avignon/pope-clement-vii.htm">Pope Clement VII</a>- played, on this occasion, by Dan Glickman, boss of the Motion Picture Association. </p>

<p>The Palace of the Popes is a resolutely read-only environment. It is also  is also very old, a reminder that these cultural battles go back a long way. Ivan Illich traced the origins of read-only culture to the twelfth century; that was when reading changed from a  a vocal - and therefore social - activity done in the monastery, to a predominantly silent activity performed by and for individuals. </p>

<p>I had the job of animating a panel on "Beyond GDP".  I <a href="http://www.les-cercles.fr/economie/economie-societe/politique-economique/1334-l-apres-pib-mesures-ou-esthetiques">tried to provoke a reaction</a> by describing GDP (in the words of the True Cost campaign) as a “doomsday machine”, and suggested that the wealth underlying the so-called leisure society (brought to us by the aforementioned culture industries) is illusory, because we are spending natural capital, not revenue.  </p>

<p>Disappointingly, nobody seemed to find this controversial. Indeed one of our panelists, Pier Paolo Paduan, number 2 at the OECD, and therefore a Cardinal, at least, of economic statistics, stated that the important debate is about values, not about indicators.  <a href="http://bit.ly/7vNAAt">What we value, gets measured</a> he said, pointedly. </p>

<p>So:could the culture industries lead the way out of the economic crisis? The Forum ended when a more interesting possibility began to emerge: that our problem is not a damaged economic system that can be fixed by a dosage of culture - it is a flawed economic system that needs to be replaced. </p>

<p>To understand what could replace the ecocidal economy we have now, we need to focus on a different kind of culture - culture as a description of the ways people live - and can live differently.  </p>

<p>Whether the Palace of the Popes is ready to host a Forum devoted to that agenda, only time will tell. </p>]]>

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